Preliminary Task 2 - Planning order of shots

Grace Watson
20 May 2020
Media Studies
Preliminary Task 2 - Planning order of shots

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= establishing shot of the park from behind car.
= Pan shot from abductor's P.O.V. looking at the girl's mom leaving to go to the bathroom.
= Match-on-action of man opening and then closing the car door.
= mid-track shot and cut closer to an over-the-shoulder shot of man walking towards the little girl           (shaky camera).
= mid-shot from side.
= high angle shot from the man's P.O.V. looking down at the girl, offering her a sweet.
= low angle shot from girl's perspective looking at the man, accepting the sweet.
= mid-P.O.V. shot of him looking down at her - she'll be smiling and will then begin 'pause' and             realise that something is fishy.
= close-up of her face when she realises that it's strange and she shouldn't take sweets from strangers     (discovery moment) - kind of like a 'pause' moment.
= full-shot of the girl dropping the sweet.
= birds eye-view/high-angle shot of the sweet as it falls.
= hand-held shot chasing after the two actors.
= birds-eye view shot from the top of the playground element - Theo chasing Aria.
= mid-P.O.V. shot from Theo's perspective chasing Aria.
= wide/long shot of Theo grabbing Aria and her fighting back - lots of camera movement in this shot.
= mid-shot of Aria and Theo hitting heads.
= close-up of Aria holding her head and stopping fighting because of the pain.
= extreme-wide shot of Theo carrying her towards his car.
= extreme-close-up of half of Theo's face as he walks towards his car, carrying Aria - shadow on his       face.
= extreme-close-up shot of Theo's hand opening the door.
= wide-shot shot of him opening door.
= wide-shot of him shoving Aria into the car.
= close-up of Aria hitting her head against the side of the inside of the car.
= extreme-close-up of her painful spot.
= mid-shot of Theo closing the door.
= track shot of him walking toward his door and getting into his car.
= extreme wide-shot of the car driving off.
= wide shot of Aria's mom coming out of the bathroom.
= close-up of her looking around and then yelling for Aria.
= mid-track shot running after her as she runs in the car’s direction, yelling for Amberly in pure distress.
= extreme close-up of the mother’s eye - stressed, agitated, confused, deeply worried.
= BLACKOUT